Roslyn Steer. Photo by Mary Kelleher.
“There was a club night called Lazybird active in Dublin in the ’00s,” recalls Paul Condon, founder of the Fort Evil Fruit label. “This was the first time I recall having a sense of a consolidated underground scene here. They put on the likes of Christina Carter, Flaherty / Corsano, Circle, and Josephine Foster alongside local bands. After being turfed out of the venue—a narrow, windowless upstairs room in a city centre pub—they struggled to keep it going elsewhere, and it fizzled out. But it had an enduring impact in that it represented a sense of possibility and sparked off a lot of connections.”
There’s more than a few comparisons to be made between a contemporary underground in Ireland and the US-based movement dubbed by writer David Keenan back in 2003 as “New Weird America.” While both the Irish and U.S. scenes have roots…
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