The Kraftick Liquefaction Plant

GPTU - 33 / IPP World Wide

Coal Liquefaction Plant with cyclopean Landscape, drawing by Torsten Slama The Kraftick Liquefaction Plant, 36 x 50 cm, pencil, colored pencil on tone paper

“When Germany still strived for complete autonomy and independence of Western influences, coal hydration technology was one of her attempts to realise complete energy independence. Had the hydration plants not been completely eradicated by the end of World War II, their gasoline output would have served Germany’s entire private car fleet well into the 1960’s. ”  National Empowerment through Petrolum (NETP)

Apart from all its pertinence to energy empowerment stratagems, this drawing should be judged on its artistic merits and technical peculiarities. Mixed media technique on tone paper makes for interesting depth effects. The pervading pink motor oil atmosphere is sometimes fought back, at times heightened. Some of the liquefaction towers are aslant. The geological rock formation on which the plant rests seems unstable. Even the thick concrete platform on which all rests cannot prevent warping. Yet maybe…

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Haus am Horn – A System House for the Modern Couple

GPTU - 33 / IPP World Wide

Muche, Gropius, Meyer, Haus am Horn, 1923, Bauhaus, Drawing from 2016, this drawing ©2017 by Torsten Slama Gerorg Muche, Haus am Horn, 1923
(A3; 42×29,7cm)

This house, a monument to the phallic guilt complex of modern patriarchal architecture, lives in a place of rich historical meaning for a certain variety of people. The hypothetical new owners, formers employees of the local financial institute which co-financed the costly renovation and restoration of this model building for the system family, exerting their ownership rights and overriding certain restrictive laws concerning historical hallmark structures, tried to add to the concept by painting the building a strange variety of pink, and placing a gaily painted totem pole of western American red cedar in the style of the indigenous peoples of the Pacific Northwest coast of North America on the premises. A nice wooden smell wafts through the area which is repellent to the common clothes moth, tineola bisselliella.

Looking at photographs of the original edifice, one is befallen by…

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Cheick Kongo vs. Andre Tete – Rings Holland: No Guts, No Glory (June 10 2001)

Kadowaki Special

The Foul Gawd™ makes his professional MMA debut.

A French national, born in what is today known as Burkina Faso, Cheick Guillaume Ouedraogo, known professionally as Cheick Kongo, started him Mixed Martial Arts in Amsterdam, Holland in 2001. Years from now historians, scholars, and perhaps even the leaders of all world religions will look back on this auspicious night, where Cheick Kongo graced the unwashed masses, allowing the world to watch one of world’s great masters, in the same linage as Pablo Picasso, James Joyce, and Johnan Sebastian Bach, ply his trade. Let us examine this event, for surely years from now accounts such as this will be compiled and bound into great volumes of history.

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Poetry of Life: “The Hymn of Abraxas”

Field of the Holy Apples

The Hymn of Abraxas

by Hiereus Phosphorus
Heinrich Fueger Prometheus

O Abraxas!
Blessed is Your lot Above,
Accursed is Your state Below.
With Your torso below in the boiling semen of Hades,
And Your head crowned above the zenith of the Cosmos.
You are the Grand Image of Man.
Created in the Likeness of Above and Below.
Your secret word is “ABRAHADABRA”.
For You are the Light that came out of Darkness.
Within You is both Chaos and Order.
Light and Darkness swirl beneath Your feet.
The Heavens and the Earth submit to Your heed.
O Man, embody your progenitor!
You are a Star upon the Earth.
Therefore, let your splendour arise!
Conquer both Light and Darkness at Your feet.
Like Abraxad, transcend the conflicting Polarity.
Be released from the cage which bonds You.
Let Life and Death crawl under Your feet.

 

 

 

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XENOBUDDHISM BEGINS WITH XENO

xenobuddhism

The Xeno prefix denotes foreignness or strangeness. It pertains to what is outside. In systems theory the distinction inside/outside is crucial. In that theory a system is composed of its own internal elements and their operations. The system is distinct from its environment, its outside. The system and the environment mutually condition one another. Each system demarcates itself from its outside. In distinguishing itself from its outside it constitutes that outside as its outside. Each system has its own environment and each environment is constitute by how the system demarcates itself. The Xeno prefix denotes the outsideness of each system. This is paradoxical. The outside of the system is a function of the system and the system is a function of how it subtracts and interacts with its own outside. Open systems relate to their outside selectively. This selectivity is about how the system interacts or makes use of its…

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